NICK MASON'S SAUCERFUL OF SECRETS Copenhagen 2018-09-03

Excelente sonido para este concierto de Nick Mason.

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NICK MASON'S SAUCERFUL OF SECRETS

Copenhagen, DK
Forum Black Box
2018-09-03 (September 3rd)

source: audience

setlist:
01 Intro: Sound effects
02 Interstellar overdrive
03 Astronomy domine
04 Lucifer Sam
05 Fearless
06 Obscured by clouds
07 When you’re in
08 Arnold Layne
09 Vegetable man
10 If (first half) 
11 Atom heart mother / If (reprise)
12 The nile song
13 Green is the colour
14 Let there be more light
15 Set the controls for the heart of the sun
16 See Emily play
17 Bike
18 One of these days
19 A saucerful of secrets (second half)
20 Point me at the sky

Depeche Mode Live Volt Festival "Global Spirit Tour" 26-06-2018.

Este concierto se anunció el 13 de noviembre de 2017. El concierto se transmitió en vivo en YouTube, Facebook y el sitio web de Volt Festival. Por su puesto que ella ya sabe que se lo dedico Manoli, un beso I Love You.

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Depeche Mode
Live Volt Festival, Sopron, Hungary, "Global Spirit Tour".
26-06-2018.

* NOS Alive! Festival, Oeiras, Portugal. 
08-07-2017.

Track list:

01.- Cover Me (Alt Out) (patch).*
02.- Going Backwards (patch).*
03.- It's No Good.
04.- A Pain That I'm Used To.
05.- Useless.
06.- Precious.
07.- World In My Eyes.
07.- Cover Me.
09.- The Things You Said.
10.- In Your Room.
11.- Everything Counts.
12.- Stripped.
13.- Personal Jesus.
14.- Never Let Me Down Again.
15.- Somebody.
16.- Walking In My Shoes.
17.- Enjoy The Silence.
18.- Just Can't Get Enough.

Echo & the Bunnymen-Live in Toronto, 23.08.1984

Echo & The Bunnymen
The International Center,
Toronto, Ontario, Canada
23.08.1984
FM 10

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 1. Rescue
 2. My Kingdom
 3. Heads Will Roll
 4. Crocodiles
 5. Ocean Rain
 6. Nocturnal Me
 7. Killing Moon
 8. All That Jazz
 9. The Cutter
10. Thorn Of Crowns
11. Do It Clean

Note that there are 3 or 4 tiny gaps between tracks (affecting mainly only audience applause) where the original taper edited out radio station announcements or advertisements.

Supertramp Palacio De Deportes, Madrid, Spain 28 Jan 1986

Pocos se darán cuenta de que el nuevo Supertramp ha perdido a uno de sus fundadores. La banda se las arregló siempre para difuminar la identidad de sus miembros bajo la marca del grupo y no permitir que se la identificara con una de sus estrellas. Ellos eran casi los únicos que podían mezclarse con el público pocos minutos antes de subir al escenario sin que sus propios seguidores les reconocieran. Lo importante era el sonido Supertramp, distinguible del de cualquier otro grupo.

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Supertramp
Venue: Palacio De Deportes, Madrid, Spain
Date: 28 Jan 1986

Disc 1  56min
1 intro
2 Better Days
3 Still In Love
4 Put On Your Old Brown Shoes
5 Bloody Well Right
6 From Now On
7 Cannonball
8 Rudy
9 Asylum

Disc 2  55min
1 Ain't Nobody But Me
2 No Inbetween
3 Brother Where You Bound
4 Just Another Nervous Wreck
5 Goodbye Stranger
6 I'm Your Hoochie Coochie Man
7 I Just Want To Make Love To You
8 Crime Of The Century 

Rick Davies - Piano, Keyboards & Vocals 
Bob Siebenberg - Drums 
John A. Helliwell - Sax, Keyboards & Vocals 
Dougie Thomson - Bass 
Mark Hart - Organ, Synthesizers & Vocals 
Scott Page - Sax 
Marty Walsh - Guitars 
Carl Verheyen - Guitars 

Kiss-Live in Toronto, 15.03.1984

Kiss
Lick It Up World Tour
Maple Leaf Gardens
Toronto, Ontario, Canada
15.03.1984
SBD 10

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01 Creatures Of The Night 
02 Detroit Rock City 
03 Cold Gin 
04 Fits Like A Glove / Firehouse 
05 Gimme More 
06 War Machine 
07 I Love It Loud 
08 I Still Love You
09 Young And Wasted 
10 Love Gun 
11 All Hell's Breakin' Loose 
12 Black Diamond 
13 Lick It Up 
14 Rock And Roll All Nite 

An awesome soundboard recording from the 2nd last show of the "Lick It Up World Tour." It was the first tour by KISS without makeup. They used the same "tank" stage design as the Creatures of the Night tour, keeping all the same gimmicks, with the exception of Gene Simmons' blood spitting.
"All Hell's Breaking Loose" made its live debut in New Orleans on January 8th, 1984. Just one day later, Kiss performed to their smallest crowd drawn in a major venue when just 1,507 filed into the Mississippi Coast Coliseum in Biloxi. The poor sales were blamed on the close proximity of the New Orleans and Biloxi shows, just one day apart. "Exciter" was performed briefly, making its first appearance on October 11, and its final known live appearance on March 7th.
Lead Guitarist Vinnie Vincent was fired after the European Tour due to "unethical behavior". Kiss didn't have enough time to search for another guitarist so they re-hired Vincent for the American Leg of the tour until his firing became permanent after the tour ended. Bass guitarist Gene Simmons stated in various interviews that Vincent's dismissal was due to the fact that he never signed his contract as an official member of Kiss and for unethical behavior. -Original

Supertramp - 70-10 Tour - Live in Madrid - 15.09.2010

De forma similar a anteriores giras, 70-10 Tour volvió a contar con la ausencia de Roger Hodgson, miembro fundador de Supertramp que abandonó el grupo en 1983. Hodgson criticó en varias entrevistas la gira de Supertramp debido al uso de sus canciones en la voz de Dixon y Siebenberg, lo cual, según el músico, rompía un acuerdo verbal que había alcanzado con Davies tras su salida del grupo, y según el cual el segundo podría seguir utilizando el nombre del grupo a cambio de no interpretar las canciones del primero.
En un comunicado, Davies desveló que se había reunido con Hodgson para discutir la posibilidad de una reunión, pero que, quince meses después, no alcanzaron ningún acuerdo.​ Davies también comentó al respecto: «Sé que hay algunos seguidores que quieren que eso suceda. Hubo un tiempo en que había esperado por eso también. Pero el pasado reciente lo hace imposible. Para poder tocar un buen concierto necesitas armonía, tanto musical como personal. Desafortunadamente eso no existe entre nosotros y prefiero no destruir los recuerdos de tiempos más armoniosos entre todos nosotros».​
Usando la misma banda de las giras It's About Time Tour y One More for the Road Tour, con la excepción de la ausencia de Mark Hart por compromisos con su grupo Crowded House y su sustitución por Gabe Dixon, la gira 70-10 Tour comenzó el 2 de septiembre de 2010 con un concierto en Halle, Alemania, seguido de treinta y cinco conciertos en países de Europa Occidental como Francia, Austria, Suiza, España, Italia, Portugal, Bélgica, Países Bajos, Reino Unido e Irlanda.​
Un año después, la gira fue ampliada con una nueva etapa con doce conciertos en Canadá, que comenzó el 31 de mayo de 2011 en Victoria y finalizó el 17 de junio en Montreal, con paradas en Vancouver, Calgary, Toronto, Montreal y Quebec. En julio, Supertramp añadió una nueva etapa europea con varios conciertos en Francia, incluyendo su concierto número 1 000, que tuvo lugar en París, y en el cual, además del repertorio habitual de la gira, interpretaron una versión de «Don't You Lie to Me».​

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Personal
Rick Davies: voz, piano y Wurlitzer
Bob Siebenberg: batería
John Helliwell: saxofón y clarinete
Carl Verheyen: guitarra
Cliff Hugo: bajo
Jesse Siebenberg: voz, guitarra y percusión
Lee Thornburg: trompeta y trombón
Gabe Dixon: voz y teclados
Cassie Miller: coros

Lista de canciones
«You Started Laughing»
«Gone Hollywood»
«Put On Your Old Brown Shoes»
«Ain't Nobody But Me»
«Breakfast in America»
«Cannonball»
«Poor Boy»
«From Now On»
«Give a Little Bit»
«Downstream»
«Asylum» (en varios conciertos)6​
«Rudy»
«It's Raining Again»
«Another Man's Woman»
«Take the Long Way Home»
«Bloody Well Right»
«The Logical Song»
«Goodbye Stranger»
Encore
«School»
«Dreamer»
«Crime of the Century»

Syd Barrett 'Psychedelic Freak Out'

Syd Barrett
'Psychedelic Freak Out'
Demos, Acetates & Mixes

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Soundboard Recordings
Encoded: 320 Kbps MP3

Track List: 
01. Interstellar Overdrive (October 31, 1965 - Demo) 1456
02. See Emily Play (May 21, 1967 - Acetate With Alternate Ending) 252
03. Scream Thy Last Scream (August 7, 1967 Malcom Jones Mix 1987) 440
04. Vegetable Man (October 1967 - Malcom Jones Mix 1987) 237
05. Vegetable Man (1967 Mix From Mason Interview, March 1969) 247
06. Silas Lang (May 6, 1968 - Backing Track) 247
07. Lanky (May 14, 1968 Part Two) 136
08. Golden Hair (May 28, 1969 Instrumental - Gareth Cousins Mix 1988) 156
09. Swan Lee (June 20, 1968 - Backing Track) 243
10. Clowns & Jugglers (July 20, 1968 Take 1 - Alternate Mix With Studio Chat) 245
11. Love You (April 11, 1969) 117
12. Clowns & Jugglers (May 3, 1969 Take 2 - Keyboard Mix) 134
13. Long Gone (July 26, 1969) 145
14. Dark Globe (July 27, 1969 Choral Version - Peter Jenner 1987 Echo Mix) 258
15. Dark Globe (July 27, 1969 Choral Version - Malcolm Jones 1987 Clean Mix) 257
16. Maisie (February 26, 1970 - Alternate Mix With Extra Vocals) 251
17. Slow Boogie (August 12, 1974) 258
18. John Lee Hooker Inspired (August 12, 1974) 352
19. In The Beachwoods (1967 - Backing Track) 449
BONUS TRACK
Bonus Track:
20 Interstellar Overdrive 14:55 Pink Floyd Live Supporting Jeff Back Group, Shrine Exposition Hall,
Los Angeles, CA, July 27, 1968 
20. Interstellar Overdrive (Pink Floyd Live Supporting Jeff Back Group, Shrine Exposition Hall, Los Angeles, CA, July 27, 1968) 1455

Details: 
Syd Barrett
Review Psychedelic Freak Out
1965 - 1974 Demos, Acetates & Mixes

I don’t think I’m easy to talk about.
I’ve got a very irregular head.
And I’m not anything that you think I am anyway.”
So said Syd Barret.

Founding father of the Pink Floyd & enfant terrible of avant garde rock.

This release from Godfather draws a hard, dark line under the above quote, showcasing a mish mash of some of the
best of Syd’s various demos & studio out takes.

The main bulk of this release spans Syd’s solo releases with a dash of Pink Floyd on the side to exemplify his work within that group.

Presumably lifted from the epic 17 Internet tree’d CD set “Have You Got It Yet” this makes a far more interesting listening experience than the bigger set.

For anyone who wants to pick through the murky depths of his back catalogue with out trawling through various
different takes, outfakes, Oopsed tracks or interviews then it’s a great way to start.

The Godfather has created this CD chronologically too so we can hear how Syd’s sound evolved or devolved through out his short recording career.

1. Interstellar Overdrive ( Demo - October 31st 1965 ).
I suppose, true to the date, this piece was recorded on Halloween at the Thompson Private Recording Studios for the
short film “San Francisco” by filmmaker Anthony Stern And is certainly nightmarish compared to it’s commercial sister recording.
Recorded much faster than the CV & without the plodding, meandering “Steptoe & Son” styled riff.
A few elements remain throughout such as the meandering guitar riff that permeates the track.
It should be noted that this track also lasts a few seconds shorter than the track that was released on the “Have You Got It Yet” internet treed CD.

2. See Emily Play ( May 21, 1967 - Acetate With Alternate Ending ).
Not a great deal different from the CV to my ears. The alternate ending would seem to suggest that the sitars are abbreviated slightly on the acetate.

3. Scream Thy Last Scream ( August 7, 1967 - Malcolm Jones mix 1987 ).
The unreleased follow up to ‘See Emily Play’ & one of two tracks ( Inc. Vegetable Man ) that were pulled from the 1988 rarities album “Opel”.
Another rather disturbing track from the dark rooms of Barrett’s mind with Nick Mason’s vocal being aped by a high pitched gnomic voice ( Actually Barrett.)
Without the double track vocal then the track might have stood a very good chance of actually getting a release but i can only guess that the reason it was left off
is because of the allusions to the voices that could have been a little too close to Syd’s madness for some tastes. Filled with mind skewering time changes,
violent themes & rapidly surreal lyrics it’s on of the highlights from the unreleased cannon.

4. Vegetable Man ( October 1967 - Malcolm Jones mix 1987 ).
This unreleased track is somewhat less fun to listen to. Written autobiographically from Barretts point of view it makes a point of being almost Spectoresque in filling
each nook & cranny with oddball noises, sounds & various chattering, it’s a song that just doesn’t really want go anywhere or even if it did wouldn’t know what to do with itself
when it got there. a pantomime in obscurity.

5. Vegetable Man ( 1967 Mix from Mason Interview ).
Recorded from a reel to reel tape that Nick Mason brought with him to an interview with a nameless collage student in March 1969.
The subsequent interview tape has gone missing in the interim but dubs had been made of the musical parts of the interview.
Sounding very much like an off air radio recording ( this isn’t a quiet under the table recording ) the track sounds markedly different to it’s 1987 compatriot.
This on has a little more move about it with a rampant, crazy guitar line wringing through it & with a powerful drum track administered throughout.
We can also ( almost ) hear Mason’s views on the track as he runs through his interview

6. Silas Lang ( May 6, 1968 - Backing track ).
Noted as being “Silas Lang, this is RM 1 from four track, take 1 by the recording engineer. This track starts out rather optimistic for a Barrett written track with a
rather twee strummed guitar line but then turns in to an altogether darker guitar track utilizing, according to Roger Waters “a great plan…to expand the group, get in two geezers,
some two freaks that he’d met someplace or other. One of them played banjo and the other played saxophone. We weren’t in to that at all and it was obvious the crunch had finally come”.
Another of Syd’s ideas gone awry then but it also shows that Syd wasn’t always the doom & gloom merchant that some of his later Floyd recordings suggest but rather when he put his mind to
it was capable of producing elegant & world wise tracks such as this one. It reminds me of some of the Bonzo Dog Doo Dah Band’s tracks - particularly Topo D’ Bill’s “Witchi Tai To” or
rather his cover of the Harpers Bizarre cover. It’s just a shame that the track was never actually finished but, seems to be reported as being a work out to the beginning of the track
“Swan Lee” ( see track 9 )

7. Lanky - Part 2 ( May 14, 1968 ).
Another tribal influenced track rather like “Silas Lang” ( above ). Sounding like an authentic, simple, track with an african hollow drum sound.
It’s obviously a simple riff that Barrett was toying with but one that was never finished up. This track is also speculated to be known as Rhamadan as they were recorded in the same date.
It’s pure speculation mind & without the Motorbike sounds Barrett wanted to add to it there’s really no way of knowing.

8. Golden Hair ( May 28, 1969 Instrumental - Gareth Cousins mix 1988 ).
Starting ominously like one of Brian Wilson’s “SMiLE” tracks ( although it would be difficult to pinpoint who might be influencing who at this time .. )
one of Barrett’s most down beat & maudlin tracks but presented here as an instrumental.
Not as effective without Syd’s lyrics but to which that might be missing the point. The instrumentation might work as just the trick for some & so will be appreciated.
This was proposed for the “Crazy Diamond” release but left off for an earlier recorded version.

9. Swan Lee ( June 20, 1968 - Backing Track ).
Taking the same route as “Silas Lang” a groove revolving around a mumbling, noodled bass part.

10. Clowns & Jugglers ( July 20, 1968, Take 1 - Alternate with with Studio chat )
“Octopus” in different sleeves. Not a great deal of difference from the Opal release but the “studio chat” referred to at the beginning is the studio announcement
“This is ‘Clowns & Jugglers’ RS 1 from Take 1 on reel 69631".

11. Love You ( April 11, 1969 ).
The Syd from the old days. Free from the menace & doom of his later recordings & back to the seaside parade & whimsy of his earlier recordings. The track has a very Beatley type of jangle.
This version is free of the out of tune bar room piano & is wildly underproduced compared to the CV.

12. Clowns & Jugglers ( May 3, 1969. Take 2 - Keyboard Mix ).
Often there are very good reasons why one piece of an artists oeuvre remains unreleased or unrealised. This mix of the “Madcap Laughs” sessions track is truly the work of an over exaggerated mind.
Powerfully over egged & messy the reason that this was released as a pared down & almost acoustic song in the end must be that it was thought to be too far our for public consumption.
Thing of Captain Beefheart at his most fevered & wacked out & this mix comes perilously close.

13. Long Gone ( July 26, 1969. )
Sounding like an early, stripped back demo version rather than the augmented organ version found on the
‘Madcap .. ‘. A track thats very close to the Sound of Skip Spence on his “Oar” album.

14. Dark Globe ( July 27, 1969 - Choral Version. Peter Jenner 1974 Echo mix )

15. Dark Globe ( July 27, 1969 - Choral Version. Malcolm Jones 1987 Clean mix. )
Tracks 14 & 15 are two sides of the same coin. The ‘Choral’ tag refers to Syd’s delayed double tracked voice.
The main two differences being that the 1987 version is somewhat tighter & wider than the 1974 version & less scummy to listen to.
The second difference is that in the ‘74 Mix Barretts singing voice is heard quite clearly over the choir where as on the ‘87 mix the two voices are brought closer together in the mix the difference is not so obvious.
The session log seems to omit the fact that there was a session on the 27th of July so we either have to assume that there was no session & the tapes are wrongly labled ( and the 26th of July was the actual last session )
or the 27th was when the mixes of this track were submitted.

16. Maisie ( February 26, 1970 - Alternate mix w/ extra vocals. )
Starts with a clip of studio chat ( sounds like “Put The Kettle on”? ) this version differs to the track on “Barrett” by adding additional spoken word vocals panned from center to left & right.
Maybe Syd had influenced what Yoko Ono was about to be doing with her solo album as this track sounds ominously like one of the ‘Plastic Ono Band’ Sessions tracks but with a little of the Barrett magic on top.

17. Slow Boogie ( August 12, 1974. )

18. “John Lee Hooker Inspired” ( August 12, 1974 )
Tracks 17 - 18 are from the much fabled 1974 sessions when Peter Jenner managed to get Syd back in to the studio for a rough 4 days of ‘work’.
Both of these tracks feature much less than the work we’d come to expect from Syd who’s mental state must have failed him so much by this time that to focus at all would have been a struggle.
of the 8 pieces bootlegged from these sessions these two must have been chosen as ‘best’ although the rest of the material is fragmentary & untogether.
Both titles allude as much to the sound contained therein - two blues inspired tracks that sound like Nick Drake’s legendary home tapes where he can be heard strumming away old blues classics although at least Nick had songs,.
the riffs that Syd plows through must have, at the very least, been made up on the spot or half remembered from his own record collection. One can only assume that this was what Syd was listening to at home at the time for
them to be at the forefront of his mind or they were just the easiest thing to play ..

19. In The Beechwoods ( 1967. Backing Track. )
Another track from the Mason interview tape that never was. “In The Beachwoods” has a very soulish if Floydian groove. Think Tamala Motown as realised by Syd Barrett. it sounds like a great track if
only it had have been finished up & could have been another great commercial success for the group had Syd not taken the direction he did. The track, as mentioned, is taken from the interview tape
so besides being played loud had a nasty, shrill clip to the top end & a clicky, strange flutter to the tape but this does nothing to desecrate the fact that it’s unreleased Floyd.

Bonus Track

20. Interstellar Overdrive
( Pink Floyd live supporting the Jeff Beck Group, Shrine Exposition Hall, Los Angeles, CA, July 27, 1968. )
To top it all off a slightly distant audience recording of the Floyd in America supporting the Jeff Beck Band. Lunacy abound in this section with the middle section taking the form of a happening of sorts.
By all accounts this was the form of the track at the time & fans of this era Floyd or students of underground forms will find something to listen to here.


The Packaging itself it particularly handsome ( as with most of The Godfathers work. ) the front cover featuring an over exposed shot of Barrett in his live Floyd heyday fulfilling the “Psychedelic Freak Out” tag.
A colourised picture by Mick Rock on the back featuring Syd looking through a telescopic lens.
Inside the trifold is a montage of pictures featuring Syd, an excellent short essay retelling Syd’s career & achievements by Alex the Gnome & Enigma Publius & most excitingly a painting of Syd bordered on purple featuring the legend
“Psychedelic Freak Out - Demo’s, Acetates & Mixes.” it’s a shame the Don didn’t include this as a mini poster as it’s very handsome indeed.

An excellent attribution to your Barrett collection or another must have disk to file under “B”. It certainly won’t get left on the shelves. 

The Rolling Stones-Live in Philadelphia, and Soundcheck, 28.08.1989

The Rolling Stones
JFK Stadium, Philadelphia, USA
28.08.1989
Live show, Soundcheck And Rehearsals.
SBD-10

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CD1
01 Start Me Up 
02 Bitch 
03 Shattered 
04 Sad Sad Sad 
05 Undercover of the Night 
06 Harlem Shuffle 
07 Miss You 
08 Tumbling Dice 
09 Ruby Tuesday 
10 Play With Fire 
11 Dead Flowers 

CD2
01 One Hit (to the Body) 
02 Mixed Emotions 
03 Honky Tonk Woman 
04 Rock and a Hard Place 
05 Midnight Rambler 
06 Can't Always Get What You Want 
07 Little Red Rooster 


CD3
01 Before They Make Me Run 
02 Happy 
03 Paint it Black 
04 2000 Light Years From Home 
05 Sympathy for the Devil 
06 Gimme Shelter 
07 It's Only Rock and Roll 
08 Brown Sugar 
09 Satisfaction 
10 Jumpin' Jack Flash 


Interesting comments found on the Web:
These rehearsals are among the best of the best quality Stones boots.
The set list is fantastic, and the Stones are performing two complete performances of the August 31 opening night show, from start to finish.
They include two complete performances of "Shattered" which was only performed on opening night and then dropped for the rest of the 1989-1990 Tour

Jeff Lynne’s ELO Madison Square Garden

Sonido espectacular para este bootleg que subimos de ELO en el Madison Square Garden.

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Jeff Lynne’s ELO
Madison Square Garden
New York, NY
August 22, 2018 (night 2 of 2)

01 Standin’ in the Rain
02 Evil Woman
03 All Over the World
04 Showdown
05 Do Ya
06 When I Was a Boy
07 Livin’ Thing
08 Handle With Care
09 Rockaria!
10 Can’t Get It Out of My Head
11 10538 Overture
12 Shine a Little Love
13 band intros
14 Wild West Hero
15 Sweet Talkin’ Woman
16 Telephone Line
17 Don’t Bring Me Down
18 Turn to Stone
19 Mr. Blue Sky
Encore:
20 Roll Over Beethoven

 1:31:12

Jeff Lynne: guitars, lead vocals 
Mike Stevens: guitars 
Milton McDonald: guitars, vocals 
Lee Pomeroy: bass, vocals 
Donavan Hepburn: drums 
Marcus Byrne: piano 
Jo Webb: keyboards 
Steve Turner: keyboards 
Iain Hornal: backing and lead vocals, guitars, percussion 
Melanie Lewis McDonald: backing and lead vocals 
Rosie Langley: violin 
Amy Langley: cello 
Jess Cox: cello 

U2-Live in Detroit, 03.09.2017

U2
Bono & Edge IEM Matrix (Mix 1)
Joshua Tree Tour 2017 
Leg 3: The Americas
Ford Field, Detroit, Michigan, USA
03.09.2017
Edge & Bono IEM Matrix Recording

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01- [PA intro: "The Whole Of The Moon"]
02- Sunday Bloody Sunday
03- New Year's Day
04- Bad
05- Pride (In The Name Of Love)
06- Where The Streets Have No Name
07- I Still Haven't Found What I'm Looking For
08- With Or Without You
09- Bullet The Blue Sky
10- Running To Stand Still
11- Red Hill Mining Town
12- In God's Country
13- Trip Through Your Wires
14- One Tree Hill
15- Exit
16- Mothers Of The Disappeared
17- [encore break]
18- Beautiful Day
19- Elevation
20- Vertigo
21- Mysterious Ways
22- Ultra Violet (Light My Way)
23- One

PODCAST La Caravana 4x05 -Rock español 1978 2ªparte

Rock español 1978 2ªparte: Ñu, Cai, Granada, Chicho Sánchez Ferlosio

Segundo programa dedicado al rock español pre-constitucional. Seguimos rindiendo homenaje a los músicos que hace 40 años abrieron el camino a tantos otros. Muchos de los artistas que en este programa (y el anterior) mencionamos han sido injustamente olvidados por el gran público y obviados por la prensa y la industria musical. Sirva nuestra pobre aportación como gesto para reivindicar la base sobre la que se cimentó el rock en nuestro país. Para ampliar algo más el abanico que solemos abarcar, nos dedicamos también a analizar la figura de uno de los pioneros de la canción de autor en nuestro país: Chicho Sánchez Ferlosio.
Suenan por este orden:
1. Ñu: Cuentos de ayer y de hoy
2. Cai: Más allá de nuestras mentes diminutas
3. Granada: Valle del pas
4. Chicho Sánchez Ferlosio: A contratiempo 

ESCUCHAR PODCAST

Alan Parsons Live Project - 1995-08-24 - Riverbend Music Center, Cincinnati, Ohio, USA

"Mi proyecto musical no era cantar en directo, sino solo grabar discos. Empezamos a cantar en directo en 1995. Hemos esperado mucho, ya que empezamos a grabar en 1976 y, hasta casi 20 años después, no hubo conciertos"
Alan Parsons, sobre The Alan Parsons Project (2016)

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Superstar Concert Series - Westwood One  for broadcast the week of February 19, 1996
Original radio station 

 1. Sirius 
 2. Eye in the Sky 
 3. What Goes Up... 
 4. Luciferama 
 5. Old and Wise 
 6. Can’t Take it With You 
 7. A Dream Within a Dream 
 8. The Raven 
 9. Take the Money and Run
10. Time 
11. Standing on Higher Ground 
12. Games People Play 
13. band introduction
14. Psychobabble 
15. You’re Gonna Get Your Fingers Burned 

Total time: 65:22

Band:

Ian Bairnson - Guitar
Peter Beckett - Vocals
Richard Cottle - Keyboards/Sax
Stuart Elliott - Drums
Felix Krish - Bass
Alan Parsons - Keyboards/Guitar
Andrew Powell - Keyboards
Chris Thompson - Vocals

Iron Maiden-Live in Hamburg, 12.09.1999

Iron Maiden

'Ed Hunter Tour 1999'

Sporthalle, Hamburg, Germany

12.09.1999

SBD+10

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CD1

01-Intro

02-Churchill's Speech/Aces High

03-Wrathchild

04-The Trooper

05-2 Minutes To Midnight

06-The Clansman

07-Wasted Years

08-Killers

09-Futureal

10-Man On The Edge

11-Powerslave 

CD2

01-Phantom Of The Opera

02-The Evil That Men Do

03-Fear Of The Dark

04-Iron Maiden

05-The Number Of The Beast

06-Hallowed Be Thy Name

07-Run To The Hills

Pilot live at the Wimbledon Theatre Canada 1976

Pues aqui tenemos a David Paton, Stuart Tosh y Ian Bairnson, miembros de Pilot que sostendrían después al Project de Alan Parsons y Eric Woolfson.

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Pilot live at the Wimbledon Theatre Canada 1976

Track Listing:

1-Hold on 
2- Lovely Lady Smile
3-Trembling 
4- Magic 
5- Penny in my pocket 
6- Canda 

Manolo García en concierto, La noche de cadena 100

La noche de Cadena100 fue un concierto en el WiZink Center de Madrid en el que participaron Pablo López, Malú, Manolo García, Amaia Montero, Efecto pasillo, Rosana, Mikel Erentxun, Ruth Lorenzo, Lagarto amarillo y Soraya entre otros artistas del panorama nacional.
Comprando la entrada participabas en el proyecto Salu, con el que Manos Unidas promueve la inserción social de personas con discapacidad en Etiopía.

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Temas:

1. Nunca es tarde.
2. Océano azul.
3. Si te vienes conmigo.
4. A San Fernando un ratito...

AC/DC-London 1980 & Demos, 02.11.1977

AC/DC Too Long In Sin City

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Live Wire
Hell ain't a bad place to be
Sin City
Rock All Over You
Shot down in flames
The Jack
Highway to hell
Girls got rhythm
High Voltage
If you want blood
Let there be rock
Studio extra
Studio Extra
Studio Extra

Roger Waters "The Wall Live"

Los músicos acompañantes de Waters en esta ocasión, probablemente la última gira que llevará a cabo según él mismo, serán gran parte de la banda que lo acompañó en su última gira The Dark Side of The Moon Live durante 2006 y 2007.
El 10 de julio de 2010, Roger Waters y David Gilmour interpretaron un conjunto de canciones en el marco de un evento benéfico realizado en Kiddington Hall de Oxfordshire, Gran Bretaña, con el objeto de juntar fondos en pro de la organización no lucrativa Hoping Foundation, siendo su primera reunión luego del Live 8 en el año 2005, después de dicho evento, Waters confirmó la posibilidad de tener a Gilmour como invitado en la interpretación de Comfortably Numb, dicha reunión se llevó a cabo en el O2 Arena de Londres, el 12 de mayo de 2011, además, sobre el final del show, en Outside the Wall, Waters presentó a Gilmour, y sorpresivamente a Nick Mason, para sumarse a la interpretación de la última canción. El sonido de los conciertos es considerado como el mejor que jamás se haya visto y la magnitud del espectáculo (que incluye marionetas, avión, fuegos artificiales) lo condecoran como quizá la mejor gira de todos los tiempos. 

A diferencia de sus giras anteriores, por primera vez no hay coristas femeninas, entre las que se destacaban Katie Kissoon, P.P. Arnold y Carol Kenyon.

Roger Waters y su banda interpretando "Outside the Wall" en el final del concierto.
Roger Waters: voz principal, bajo, guitarras, trompeta, clarinete.
Dave Kilminster: guitarras (guitarrista de la banda desde 2006)
Snowy White: guitarras (interpretó junto a Pink Floyd en la Gira In The Flesh de 1977 y durante la gira The Wall en 1980 y 1981; también participó en el primer disco solista de Richard Wright, Wet Dream de 1978).
George Edward Smith: guitarras, bajo (fue guitarrista de la banda de Bob Dylan, líder de Hall & Oates y director musical del Saturday Night Live)
Graham Broad: batería y percusión (fue parte de la banda solista de Waters desde 1987, con la gira Radio K.A.O.S.).
Jon Carin: teclados, sintetizador, guitarras, voz (interpretó junto a Pink Floyd en las giras posteriores a la partida de Roger Waters de la banda, en A Momentary Lapse of Reason Live Tour durante 1987, 1988 y 1989; y la gira The Division Bell Live Tour de 1994, muy conocida por el álbum en vivo P.U.L.S.E., como también ha sido parte de la banda de la última gira de David Gilmour, On an Island Live 2006).
Harry Waters: piano, órgano, sintetizador (hijo de Roger Waters, formó parte de la banda desde 2002, en In The Flesh Tour; en el álbum The Wall se escucha su voz en la introducción de la canción «Goodbye Blue Sky»: "Look, mummy, there's an aeroplane up in the sky").
Robbie Wycoff: voz principal
Jon Joyce: coros
Kipp Lennon: coros (los hermanos Lennon conforman la banda Venice)
Mark Lennon: coros
Michael Lennon: coros

El mítico álbum ha sido interpretado anteriormente por Pink Floyd en su Gira Premiere realizada durante 1980 y 1981 solo en las ciudades de Londres, Dortmund, Nueva York y Los Ángeles, debido a la compleja y costosa puesta en escena que implicaba (para aquella ocasión) dicha ópera rock.
Y luego fue interpretado una vez más por su principal compositor Roger Waters como conmemoración de la caída del muro de Berlín el 21 de julio de 1990 en Potsdamer Platz, congregando a aproximadamente 300 000 personas.

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Primera parte

In The Flesh?
The Thin Ice
Another Brick in the Wall (Part I)
The Happiest Days of Our Lives
Another Brick in the Wall (Part II)
Mother
Goodbye Blue Sky
Empty Spaces
What shall we do now
Young Lust
One of My Turns
Don't Leave Me Now
Another Brick in the Wall (Part III)
The Last Few Bricks
Goodbye Cruel World

Segunda parte

Hey You
Is There Anybody Out There?
Nobody Home
Vera
Bring The Boys Back Home
Comfortably Numb
The Show Must Go On
In The Flesh
Run Like Hell
Waiting for the Worms
Stop
The Trial
Outside The Wall

Todas las letras escritas por Roger Waters.


Todos los temas compuestos por Roger Waters excepto "Young Lust" y "The Last Few Bricks", por Waters & Gilmour; "Comfortably Numb" y "Run Like Hell", por David Gilmour, y "The Trial" por Waters & Bob Ezrin.

Kiss-Live in Fresno, 27.11.1979

Kiss

The Greatest Band In The World, Selland Arena, Fresno Convention Centre

Fresno, California, USA

27.11.1979

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1. King Of The Night Time World

2. Let Me Go, Rock 'N Roll

3. Move On

4. Calling Dr. Love

5. Firehouse

6. New York Groove

7. I Was Made For Lovin' You

8. Christine Sixteen

9. 2,000 Man / Guitar Solo

10. Love Gun

11. Bass Solo

12. God Of Thunder

13. Shout It Out Loud

14. Black Diamond

15. Detroit Rock City

16. Beth

17. Rock And Roll All Nite

GUADALQUIVIR Sevilla 2008

Guadalquivir forma parte del llamado rock andaluz, aunque aparece en la última época de dicha corriente. Frente a grupos como Triana, Alameda o Imán, que desarrollaban su trabajo influenciados por la tradición del rock sinfónico, Guadalquivir proviene de influencias jazzísticas y, por tanto, su obra se enmarca en el jazz fusión, aunque con las características propias del rock andaluz.
La banda se fundó a iniciativa de El Manglis, que había estado en numerosos grupos de su ciudad natal, Sevilla, y había colaborado con bandas básicas como Smash o Triana.

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GUADALQUIVIR - Concierto Rock y Flamenco "Auditorio Rocio Jurado"  Sevilla  2008

Temas:  
La Danza de Los Tigres  
El Manglis  
Bulerias del Compás Machine  
Baila Gitana 

Luis Cobo "Manglis,  Guitarra 
Andrés Olaegui, Guitarra
Pedro Ontiveros, Saxo 
Nantha Kumar, Tablas  
Javier Perez,  Bajo 
Valentin Iturak, Bateria
Manuel Sutil, Percusión  
Mari Luz Arcas, Danza.

ALAN PARSONS Project "If I Leave My Keyboard"

Hace unos dias encontre esto en la red y lo quisiera compartir, comparto tambien el link de la fuente original.

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ALAN PARSONS Project "If I Leave My Keyboard"
(Contains demo and unpublished titles)
Unofficial By R&UT

01] Blue, Blue Sky [Alternate Rebuilt Version - Intro]
02] Siren Song
03] Do You Live at All? 
04] No Answers Only Questions [Rough Version] 
05] So Far Away 
06] To One In Paradise 
07] Nothing Left To Lose [Alternate Rebuilt Version] 
08] Eye In The The Sky [Live Acoustic] 
09] Since The Last Goodbye [Extended Version] 
10] Blue Blue Sky
11] Fragile 

OMD-Live in Madrid, 15.02.2018

Orchestral Manoeuvres In The Dark (OMD)

The Punishment Of Luxury Tour

La Riviera, Madrid, Spain

15.02.2018

AUD 10

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01. Art Eats Art / La Mitrailleuse Intro

02. Ghost Star

03. Isotype

04. Messages

05. Tesla Girls

06. History of Modern (Part 1)

07. One More Time

08. (Forever) Live And Die

09. If You Leave

10. Souvenir

11. Joan of Arc

12. Joan of Arc (Maid of Orleans)

13. (audience chanting)

14. Talking Loud and Clear

15. What Have We Done

16. So in Love

17. Locomotion

18. The Punishment of Luxury

19. Sailing on the Seven Seas

20. Enola Gay

21. Pandora's Box

22. Secret

23. Electricity 

Roger Waters Wish You Were Here "Live"

Tercer directo de Roger Waters esta vez con Wish You Were Here en directo, ya subimos anteriormente algo similer, pero esto tiene un sonido brutal.

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1. «Shine On You Crazy Diamond (Parts I–V)»   
2. «Welcome to the Machine»   
3. «Have a Cigar»   
4. «Wish You Were Here» 
5. «Shine On You Crazy Diamond (Parts VI–IX)» 

Simple Minds-Live in Berlin. 22.02.2018

Simple Minds

Walk Between Worlds Tour

Schwuz, Berlin, Germany

Thursday February 22nd, 2018

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01. Intro

02. Waterfront

03. Walk Between Worlds

04. Magic

05. Summer

06. Utopia

07. In Dreams

08. The Signal and the Noise

09. Barrowland Star

10. Walk Between Worlds

11. Sense of Discovery

12. Someone Somewhere In Summertime

13. The American

14. Sanctify Yourself

15. Alive and Kicking

16. Don't You (Forget About Me)

17. (PA tape outro) Let's Work Together [by Canned Heat]

Line-up:

Jim Kerr: vocals

Charlie Burchill: guitar, keyboards

Ged Grimes: bass guitar

Sarah Brown: vocals

Gordy Goudie: guitar

Cherisse Osei: drums, percussion

Catherine AD: vocals, keyboards

David Bowie - Live at the Kit Kat Club 1999

Bowie creó la banda sonora de Omikron, un videojuego de 1999 en el que Iman y él también figuran como personajes. Su álbum 'Hours...', lanzado el mismo año, contiene canciones de este proyecto regrabadas y presenta además una tema de Alex Grant, ganador de un concurso organizado por Bowie que trataba de encontrar la mejor letra de canción para un videojuego.​ Haciendo amplio uso de instrumentos en directo, el álbum significó su adiós a la música electrónica.

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David Bowie - Live at the Kit Kat Club
November 19, 1999
New York, NY.
Broadcast source @160

Track List:
01. Life on Mars
02. Thursday's Child
03. Something In the Air
04. China Girl
05. Can't Help Thinking About Me
06. Always Crashing In the Same Car
07. Survive
08. Stay
09. Seven
10. Changes
11. The Pretty Things Are Going To Hell
12. I'm Afraid of Americans

Accept-Live in Vilnius, 11.05.2010

Accept
Forum Palace
Vilnius
Lithuania
11.05.201

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 1. Metal Heart 
 2. Midnight Mover 
 3. Living For Tonite 
 4. Restless And Wild 
 5. Son Of A Bitch 
 6. Losers And Winners 
 7. London Leatherboys 
 8. The Abyss*
 9. Run If You Can 
10. Teutonic Terror*
11. Breaker 
12. Bulletproof 
13. Neon Nights 
14. Winter Dreams 
15. Bass & drum solo
16. Wolf Hoffmann solo – classical medley (Bolero/Sabre Dance/
      Hall Of The Mountain King/Pomp And Circumstance) 
17. Flash Rockin' Man 
18. Up To The Limit 
19. Demon's Night 
20. Turn Me On 
21. Starlight 
22. Burning 
23. Princess Of The Dawn 
24. I'm A Rebel 
25. Fast As A Shark 
26. Balls To The Wall
Bonus:
27. Interview with Mark and Wolf

Pink Floyd Live Unapproved "Dogs Of War"

Este bootleg presenta a Rick Wright, Nick Mason y David Gilmour grabados en vivo en el 1987, entr los Estados Unidos y Canadá. La fuente exacta del concierto es desconocida, pero según la lista de canciones, sin duda proviene de su "A Momentary Lapse of Reason Tour" (1987 a 1989) en referencia a su álbum "A Momentary Lapse of Reason". La gira fue la primera del grupo desde The Wall Tour en 1981, y también la primera sin el bajista original de la banda, Roger Waters.

Inicialmente, había una gran incertidumbre en torno a la gira. Pink Floyd no había tocado en vivo desde 1981, y no se había embarcado en una gira completa desde 1977. Roger Waters dejó la banda en 1985, creyendo que la banda no continuaría. Sin embargo, Gilmour y Mason decidieron continuar como Pink Floyd. Waters amenazó con emprender acciones legales contra Gilmour y Mason, así como contra cualquier promotor que promocionara espectáculos como "Pink Floyd". Sin embargo, a fines de 1987, con el éxito del álbum y los primeros conciertos de la gira, la nueva formación se había establecido comercialmente, y la banda llegó a un acuerdo con Waters en diciembre.

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01. Welcome to the Machine               7:08
02. Yet Another Movie                    7:33
03. Dogs of War                          7:47
04. On the Turning Away                  8:50
05. Wish You Where Here                  5:20
06. Us and Them                          7:12
07. Another Brick in the Wall (Part II)  5:23
08. Confortably Numb                     9:18

Tour band
David Gilmour – lead vocals, guitars
Nick Mason – drums, percussion
Richard Wright – keyboards, vocals

Additional musicians:
Jon Carin – keyboards, sound effects, vocals
Scott Page – saxophones, additional guitars
Guy Pratt – bass guitar, vocals
Tim Renwick – guitars, backing vocals
Gary Wallis – percussion, keyboards, vocals
Rachel Fury - backing vocals
Durga McBroom – backing vocals
Margaret Taylor – backing vocals