LEY ANTIPIRATERIA

El Consejo de Ministros aprobó la reforma del Código Penal que contempla la condena de hasta seis años de prisión para quien incluya en su página web listados de enlaces a contenidos que son objeto de propiedad intelectual. El juez podrá ordenar su retirada e incluso el bloqueo del portal, según el borrador enviado al Consejo de Estado.

El objetivo es perseguir las páginas que permiten la obtención de un listado de enlaces a través de los cuales se puede acceder ilícitamente a obras protegidas por los derechos de autor (películas, libros...). En ningún caso se actuará contra usuarios o buscadores neutrales, ni contra los programas P2P que permiten compartir contenidos.

En concreto, se persigue la explotación económica, reproducción, plagio, distribución y comunicación pública de una obra, sin autorización de los titulares, con ánimo de obtener un beneficio directo o indirecto (a través de publicidad, por ejemplo), así como facilitar el acceso a la localización de obras o prestaciones protegidas en internet.
COMO VERÉIS LA ÚNICA MANERA DE COMPARTIR LEGAL ES CON P2P, EN GMAIL TENEMOS UNA HERRAMIENTA P2P QUE ES Google Drive. EL INCONVENIENTE ES QUE NATURALMENTE SE COMPARTE BAJO PETICIÓN, ESTO RALENTIZA MUCHO PERO A LA VEZ NOS ASEGURA CUMPLIR CON LA LEY, YA QUE, COMPARTIMOS GRATIS Y SOLO A NUESTRA FAMILIA DE FRESH&ALIVE.




NOTA IMPORTANTE ANTE EL CORREO MASIVO: EN F&A NO SUBIMOS
MATERIAL OFICIAL NI VOLVEMOS A COMPARTIR BOOTLEGS ANTES PUBLICADOS.

lunes, 22 de octubre de 2018

Guns N' Roses 'The Freddie Mercury Tribute'



GN'R interpreta 2 canciones. Axl canta en 'Bohemian Rhapsody'
(un dúo con Elton John) y 'We Will Rock You' con Queen. Slash toca guitarra en
'Tie Your Mother Down' con Queen.
Slash, Axl y Duff se unen al resto de artistas al final del concierto para una versión de 'We Are The Champions'.

COMPARTIR/SHARE

Guns N' Roses
'The Freddie Mercury Tribute'
The Freddie Mercury Tribute Concert for AIDS Awareness
Wembley Stadium, London, England
Monday April 20th, 1992

Soundbaord Recording
Encoded: 192 Kbps MP3

Track List:
1. 01 Guns N' Roses - Intro (0:34)
2. 02 Guns N' Roses - Paradise City (6:16)
3. 03 Guns N' Roses - Knockin On Heaven's Door (8:39)
4. 04 Slash & Queen - Tie Your Mother Down (4:22)
5. 05 Axl & Queen - We Will Rock You (2:31)
6. Queen / Elton John / Guns N' Roses - Bohemian Rhapsody (5:29)

viernes, 19 de octubre de 2018

Depeche Mode-Live in Milano, 11.11.1990



Depeche Mode
Palatrussardi, Milano
11.11.1990
AUD 10


1. World in My Eyes
2. Halo
3. Shake the Disease
4. Everything Counts
5. Master and Servant
6. Never Let Me Down Again
7. Waiting for the Night
8. I Want You Now
9. World Full of Nothing
10. Clean
11. Stripped
12. Policy of Truth
13. Enjoy the Silence
14. Strangelove
15. Personal Jesus
16. Black Celebration
17. A Question of Time
18. Behind the Wheel
19. Route 66

jueves, 18 de octubre de 2018

Ryan Adams - The sad cat... and other melancholic stories - Set 5 (2006)


Adams se convirtió en músico habitual durante ese año de los conciertos de Phil Lesh, de la banda Grateful Dead, que a su vez, durante 2006, incluiría en sus recitales canciones de Adams, muchas extraídas de Cold Roses (“Cold Roses”, “Let It Ride” y “Magnolia Mountain”).

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miércoles, 17 de octubre de 2018

The Cult-Live in Santa Barbara, 26.04.1986



The Cult
State Street Theatre
Santa Barbara, CA, USA
28.04.1986
Pre-FM 10


01 - Love
02 - Nirvana
03 - Big Neon Glitter
04 - Love Removal Machine
05 - Electric Ocean
06 - Revolution
07 - Rain
08 - Hollow Man
09 - Spiritwalker
10 - She Sells Sanctuary
11 - encore break
12 - The Phoenix

Line-up:
Ian Astbury - vocals
Billy Duffy - guitar
Jamie Stewart - bass
Les Warner - drums

martes, 16 de octubre de 2018

Ryan Adams - The sad cat... and other melancholic stories - Set 4 (2006)


Como productor, Adams llevó las riendas de la grabación del álbum de Willie Nelson Songbird, en el que él y The Cardinals actuaron como banda de estudio y acompañamiento. El disco apareció en octubre de 2006. También teloneó a Nelson en The Hollywood Bowl, popular anfiteatro de Los Ángeles, en un concierto en el que también participó Phil Lesh al bajo y en el que se incluyeron numerosas canciones de Grateful Dead.

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lunes, 15 de octubre de 2018

New Order-Live in Kilkenny, 24.04.1983



Rose Hill Hotel
FM 10


01 - We All Stand 
02 - Leave Me Alone
03 - Denial 
04 - The Village 
05 - Temptation
06 - Confusion
07 - In A Lonely Place 
08 - Age Of Consent (
09 - Blue Monday (Totp Edit Version) 
10 - Everything'S Gone Green 
11 - Ceremony 

Bonus:
Kilkenny radio interview (20:45)
Total for gig: (57:46)
Total for disc: (78:31)

domingo, 14 de octubre de 2018

PODCAST La Caravana 4x06 CAI - 1979 - Directo en el Cortijo de los Rosales




CAI - 1979 - Directo en el Cortijo de los Rosales
Vamos a compartir con vosotros un bootleg exclusivo por cortesía del Señor X y su blog Fresh and Alive. Se trata de una grabación del año 1979 del grupo CAI correspondiente a un concierto de la banda en el Cortijo de los Rosales, sitio mítico de Cádiz donde actuaron todos los grupos de rock andaluz de la época. El disco contiene canciones de su primer trabajo y presentaron también parte de su segundo disco "Noche abierta". Es un pirata difícil de encontrar donde podemos disfrutar de los siguientes temas:

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IVOOX

1. Más allá de nuestras mentes diminutas (8:43)
2. La roca del diablo (10:27)
3. El caño del calé (7:46) 
4. Despertar (5:27) 
5. Pasa un dia (12:40) 
6, Alameda (10:13) 

7. Ya nos vamos a enrollar (2:52)

Sebastian "Chano" Dominguez a los teclados.
Diego Fopiani Macias a la batería y voz.
Jose. A. Fernandez a la guitarra.
Jose Laureano Velez al bajo y voz.
Paco Delgado Glez a la guitarra

Jose A. Fernandez Mariscal "El Niño" a la guitarra.

viernes, 12 de octubre de 2018

Ryan Adams - The sad cat... and other melancholic stories - Set 3 (2005)


En su segundo lanzamiento del año 2005, Jacksonville City Nights, Norah Jones canta en el dueto "Dear John". Al margen, Adams publicó a finales de 2005 otro disco en solitario.
Ese mismo año Adams participó en un concierto benéfico a favor de los damnificados por el Huracán Katrina, en el Irving Plaza en Nueva York. Además, tres temas de Adams aparecieron en la banda sonora del filme Elizabethtown: "Come Pick Me Up", "English Girls Approximately" y una nueva canción, llamada "Words", extraída de The Elizabethtown Sessions, uno de los muchos discos sin publicar que Adams ha producido a lo largo de su carrera. "Words" no ha sido publicada tampoco, aunque circula en copias no oficiales entre los fans bajo el título de "Darkbreaker".
También en 2005, Adams trabó amistad con Phil Lesh, de la banda Grateful Dead, después de que ambos se conocieran en la edición anual de los premios Jammys, en Nueva York. 

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jueves, 11 de octubre de 2018

Santana-Live in Tokyo, 10.07.1983



Santana
NHK Hall, Tokyo, Japan
10.07.1983
BCT+10


CD1
1.Intro...
2.Batuka
3.No One To Depend On
4.Taboo
5.Hold On
6.Tales Of Kilimanjaro...
7....Black Magic Woman...
8....Gypsy Queen
9.Oye Como Va
10.Incident At Neshabur
11.Waited All My Life
12.Aqua Marine

CD2
1.Savor
2.Jingo
3.Havana Moon
4.Soul Sacrifice
5.Open Invitation
6.She's Not There

CD3
1.Right Now
2.Europe
3.Shango
4.Super Boogie
5.Hong Kong Blues
6.Shake Your Money Maker
7.Band Intro...

Carlos Santana - Guitar/Vocals/Percussion
Greg Walker - Vocals
Keith Jones - Bass
Tom Coster - Keyboards/Vocals
Armando Peraza - Percussion/Vocals
Raul Rekow - Percussion/Vocals
Orestes Vilato - Percussion/Vocals
Chester Thompson - Keyboards/Vocals
Graham Lear - Drums

miércoles, 10 de octubre de 2018

Ryan Adams - The sad cat... and other - Set 2 (2003-2004)


Ryan Adams es un cantante y compositor estadounidense de country alternativo, pop y rock. Adams es miembro fundador de los grupos Ryan Adams and The Cardinals y Whiskeytown que abandonó en el año 2000 y en el 2009 para lanzar su primer álbum en solitario y seguir con su proyecto como solista, Heartbreaker.

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martes, 9 de octubre de 2018

KISS-Live in Tampere, 10.06.2010



Kiss
Sonic Boom Over Europe Tour
Sauna Open Air metal Festival
Tampere, Finland
10.06.2010
LHN+10


1.Modern Day Delilah 
2.Cold Gin 
3.Let Me Go, Rock 'N Roll 
4.Firehouse 
5.Say Yeah 
6.Deuce 
7.Crazy Crazy Nights 
8.Calling Dr. Love
9.Shock Me 
10.I'm An Animal
11.100,000 Years 
12.I Love It Loud
13.Love Gun .
14.Black Diamond 
15.Detroit Rock City 
16.Beth 
17.Lick It Up 
18.Shout it Out Loud 
19.I Was Made For Lovin' You 
20.God Gave Rock And Roll To You II 
21.Rock And Roll All Nite


lunes, 8 de octubre de 2018

Ryan Adams - The sad cat... and other melancholic stories - Set 1 (2001-2002)


Adams ha ejercido de productor para artistas como Jesse Malin o Willie Nelson, y ha colaborado con Counting Crows, Weezer, Norah Jones, America, Minnie Driver, Cowboy Junkies, Leona Naess, Toots & the Maytals, Beth Orton y Krista Polvere.

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domingo, 7 de octubre de 2018

Eric Woolfson Black Freudiana (Deutsche Originalaufnahme)

Hay dos versiones diferentes de freudiana. El álbum blanco, (llamado así debido a la tapa blanca) y el álbum negro (Freudiana Deutsche Originalaufnahme), se publico en Alemania en 1991 por  EMI, con una estructura diferente de las canciones con respecto al álbum blanco, entre otras cosas, que esta cantado en alemán. El primero de los musicales fue en el Theater an der Wien en Viena en diciembre de 1990, teniendo muy buenas criticas por parte de la prensa alemana. Diseñado por: Eric Woolfson, concepto original para el teatro: Brian Brolly, Guión: Eric Woolfson, Brian 


Brolly, Lida Winiewicz, Música y letra original en Inglés: Eric Woolfson, Contribución de la música: Alan Parsons, Textos en alemán: Lida Winiewicz, Escenografía: Hans Schavernoch, Vestuario: Annette Beaufays y Susanne Schmögner, Iluminación: Rick Belzer, Ingeniero de Sonido: Alan Parsons, Modalidades: Andrew Powell, Conducción música: Caspar, Coreografía: Heinz Spoerli, Dirigido por: Peter Weck. A mi personalmente me gusta mas el blanco ya no solo por que es cantado en ingles si no tambien por el sonido, el Freudiana Black es mas frío creo que pierde toda la esencia del Project.

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LANZAMIENTO: 1991

CURIOSIDADES: Este álbum solo se podía comprar en el teatro, en el cual se representaba el musical.

TEMAS:
Freudiana (Ouverture Instrumental)
Kleiner Hans
Ich bin dein Spiegel
Es ist durchaus nicht erwiesen
Dora
Du bist allein
Ausgestoßen
Doctor Charcot
Frau Schmetterling
Der Ring
Vision Dora (Instrumental)
Nie war das Glück so nah
U-Bahn
Wer kennt den Weg
Oedipus - Terzett
Chorus
Freudiana (Finale)

viernes, 5 de octubre de 2018

U2-.Live in Las Vegas, 11.05.2018


U2
Xavel Multiple Stereo IEMs Matrix
Experience + Innocence Tour
Leg 1: North America
T-Mobile Arena, Las Vegas, NV, USA
11.05.2018
Multiple Stereo IEMs Matrix+10

COMPARTIR/SHARE

01. Intro (Winter Beats)
02. Love Is All We Have Left
03. The Blackout
04. Lights of Home
05. Beautiful Day
06. I Will Follow
07. Gloria
08. Red Flag Day
09. The Ocean
10. Iris (Hold Me Close)
11. Cedarwood Road
12. Sunday Bloody Sunday (Acoustic)
13. Raised by Wolves
14. Until the End of the World
15. Intermission (Hold Me, Thrill Me, Kiss Me, Kill Me)


01. Elevation
02. Vertigo
03. Desire
04. Acrobat
05. You're the Best Thing About Me (acoustic)
06. Staring at the Sun (acoustic)
07. Pride (In the Name of Love)
08. Get Out of Your Own Way
09. American Soul
10. City of Blinding Lights
11. Women of the World
Encore:
12. One
13. Love Is Bigger Than Anything in Its Way
14. 13 (There Is a Light)

jueves, 4 de octubre de 2018

Manolo García, Las Ventas 1998



Manolo Garcia 1998, gira ‘‘Arena en los bolsillos‘‘ Las Ventas.
El concierto fue grabado y emitido por Los 40 tv. Según ha contado el propio Manolo durante el concierto comenzó a llover de forma brusca y pararon debido a la posibilidad de que se produjese un accidente eléctrico, el concierto se reanudó con lluvia y todo. 
La calidad del audio del concierto es muy buena y está considerado como una de las mejores grabaciones de esa Gira.

COMPARTIR/SHARE

1 - Sobre el oscuro abismo.
2 - Carbón y ramas secas.
3 - Pájaros de barro.
4 - Del bosque de tu alegría.
5 - Prefiero el trapecio.
6 - La sombra de una palmera.
7 - Como quien da un refresco.
8 - Zapatero.
9 - A San Fernando un ratito a...
10 - Carbón y ramas secas.
11 - La llanura.
12 - A quien tanto he querido.

13 - Viernes.

Concierto gracias a http://manoloconciertos.blogspot.com/


miércoles, 3 de octubre de 2018

Roxy Music-The Avalon Tapes (1981 1982)





Roxy Music 
The Avalon Tapes
Studio Demo Outtakes 1981-1982
(Demos / Outtakes / Unreleased)
SBD/STU +10


01. True To Life (Ferry) 
    Song Demo Rough Track With Vocalising 1981 Roxy Music
    Without the lyrics, it sounds very much like "Slave to Love"...
02. More Than This (Ferry)
    Song Demo Rough Track With Vocalising 1981 Roxy Music
03. The Main Thing (Ferry)
    Song Demo Rough Track With Vocalising 1981 Roxy Music
04. Unreleased #1 (unknown) 
    Song Demo Rough Track With Vocalising 1981
    Listed (on back as Track 5) as "Unreleased #1"
05. Avalon (Ferry) 
    Song Demo Rough Track With Vocalising 1981 Roxy Music
    Listed on back as Track 4
    To me, it sounds like Lost, that re-surfaced 33 years later in Ferry's Avonmore album
06. Is Your Love Strong Enough (Ferry) 
    Song Demo Rough Track With Some Lyrics 1981 Roxy Music
    Listed as "Circles"
07. The Space Between (Ferry) 
    Song Demo Rough Track - Instrumental 1981 Roxy Music
08. Movie, Move Me [version 1] (Ferry) 
    Song Demo Rough Track With Some Lyrics 1981 Roxy Music
09. Unreleased #2 (unknown) 
    Song Demo Rough Track - Instrumental 1981
10. While My Heart Is Still Beating (Ferry/Mackay) 
    Song Demo Rough Track - Instrumental 1981 Roxy Music
11. Unreleased #3 (unknown) 
    Song Demo Rough Track With Vocalising 1981
12. Take A Chance With Me (Ferry/Manzanera) 
    Song Demo Rough Track With Vocalising 1981 Roxy Music
13. Unreleased #4 (unknown) 
Song Demo Rough Track With Vocalising 1981
14. Unreleased #5 (unknown) 
Song Demo Rough Track - Instrumental1981
15. Movie, Move Me [version 2] (Ferry) 
Song Demo Rough Track With Vocalising 1981 Roxy Music


Collection of demos for the Avalon album, with a number of songs that weren't ultimately included.
All the songs are in the same basic format:
- a basic backing track, with Bryan Ferry vocalising along to the melody with barely a lyric to articulate
- quite mind-boggling that this is how these songs evolved, the music consistently coming before any attempt at lyrics.
The sound quality is very good. -Original

martes, 2 de octubre de 2018

Julian Lennon Westwood One Pop Concert


El debut musical de Julian fue a temprana edad, a los 10 años, tocando la batería en la canción Ya-Ya del álbum Walls and Bridges de John Lennon. Su carrera artística se hizo popular con el debut de su disco Valotte y con la canción Too late for Goodbyes en 1984. Despues del gran éxito, hubo tiempos de ventas bajas y Julian recurrió al alcohol y drogas. 
Su voz, aspecto y estilo musical son idénticos a los de John Lennon, por lo que se especuló alguna vez con el retorno de The Beatles con él como integrante, lo que nunca sucedió.

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Julian Lennon
Westwood One Pop Concert PC 87-21
For Broadcast the week of May 18, 1987
Irvine Meadows Amphitheatre
Laguna Hills, California, USA
Friday July 25th, 1986

Soundboard (Pre-FM) Recordings
Encoded: 320 Kbps MP3

Track List:
01. Westwood One Pop Concert PC 87-21 Intro - Phil Hendrie
02. Commercial - Moments Teledisc
03. Say You're Wrong
04. O.K. For You
05. On The Phone
06. Commercial - Caltrate
07. Commercial - Honda Motorcycles
08. Commercial - Caffedrine
09. Westwood One Pop Concert PC 87-21 Break - Phil Hendrie
10. Heart Tour Update
11. Valotte
12. Let Me Tell You
13. Jesse
14. Commercial - Caffedrine
15. Commercial - Trident Sugarless Gum
16. Commercial - Country Time Drink Mix
17. Westwood One Pop Concert PC 87-21 Break - Phil Hendrie
18. REO Speedwagon Tour Update
19. Stick Around
20. Big Mama
21. Stand By Me
22. Commercial - Honda Motorcycles
23. Commercial - Listermint
24. Commercial - Country Time Drink Mix
25. Westwood One Pop Concert PC 87-21 Break - Phil Hendrie
26. Too Late For Goodbyes
27. It Won't Be Long
28. Day Tripper
29. Westwood One Pop Concert PC 87-21 Outro - Phil Hendrie
30. Westwood One Pop Concert PC 87-21 Promo - Phil Hendrie

Line-up:
Julian Lennon (vocals, keyboards)
Justin Clayton (guitar)
Doug Worthington (guitar)
Carmine Rojas (bass guitar)
Chuck Kentis (keyboards)
Frank Elmo (saxophone)
Alan Childs (drums)

lunes, 1 de octubre de 2018

Elvis Presley-Live in Birmingham, AL, 26.12.1976


Elvis Presley
Birmingham Jefferson Coliseum
Birmingham, AL., USA
26.12.1976
SDB 10

COMPARTIR/SHARE

01 See See Rider
02 I Got A Woman/Amen
03 Love Me
04 Fairytale
05 You Gave Me A Mountain
06 Jailhouse Rock
07 O Sole Mio/It's Now Or Never [Incomplete]
08 Tryin' To Get To You
09 My Way
10 Polk Salad Annie
11 Band introductions
12 Early Morning Rain
13 What'd I Say
14 Johnny B. Goode
15 Band solos
16 Love Letters
17 School Days
18 Funny How Time Slips Away
19 Hurt (w/reprise)
20 Hound Dog
21 For The Good Times
22 The First Time Ever I Saw Your Face
23 Unchained Melody
24 Mystery Train/Tiger Man
25 Can't Help Falling In Love

domingo, 30 de septiembre de 2018

NICK MASON'S SAUCERFUL OF SECRETS Copenhagen 2018-09-03


Excelente sonido para este concierto de Nick Mason.

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NICK MASON'S SAUCERFUL OF SECRETS

Copenhagen, DK
Forum Black Box
2018-09-03 (September 3rd)

source: audience

setlist:
01 Intro: Sound effects
02 Interstellar overdrive
03 Astronomy domine
04 Lucifer Sam
05 Fearless
06 Obscured by clouds
07 When you’re in
08 Arnold Layne
09 Vegetable man
10 If (first half) 
11 Atom heart mother / If (reprise)
12 The nile song
13 Green is the colour
14 Let there be more light
15 Set the controls for the heart of the sun
16 See Emily play
17 Bike
18 One of these days
19 A saucerful of secrets (second half)
20 Point me at the sky

viernes, 28 de septiembre de 2018

Depeche Mode Live Volt Festival "Global Spirit Tour" 26-06-2018.


Este concierto se anunció el 13 de noviembre de 2017. El concierto se transmitió en vivo en YouTube, Facebook y el sitio web de Volt Festival. Por su puesto que ella ya sabe que se lo dedico Manoli, un beso I Love You.

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Depeche Mode
Live Volt Festival, Sopron, Hungary, "Global Spirit Tour".
26-06-2018.

* NOS Alive! Festival, Oeiras, Portugal. 
08-07-2017.

Track list:

01.- Cover Me (Alt Out) (patch).*
02.- Going Backwards (patch).*
03.- It's No Good.
04.- A Pain That I'm Used To.
05.- Useless.
06.- Precious.
07.- World In My Eyes.
07.- Cover Me.
09.- The Things You Said.
10.- In Your Room.
11.- Everything Counts.
12.- Stripped.
13.- Personal Jesus.
14.- Never Let Me Down Again.
15.- Somebody.
16.- Walking In My Shoes.
17.- Enjoy The Silence.
18.- Just Can't Get Enough.

jueves, 27 de septiembre de 2018

Echo & the Bunnymen-Live in Toronto, 23.08.1984



Echo & The Bunnymen
The International Center,
Toronto, Ontario, Canada
23.08.1984
FM 10

COMPARTIR/SHARE

 1. Rescue
 2. My Kingdom
 3. Heads Will Roll
 4. Crocodiles
 5. Ocean Rain
 6. Nocturnal Me
 7. Killing Moon
 8. All That Jazz
 9. The Cutter
10. Thorn Of Crowns
11. Do It Clean

Note that there are 3 or 4 tiny gaps between tracks (affecting mainly only audience applause) where the original taper edited out radio station announcements or advertisements.

miércoles, 26 de septiembre de 2018

Supertramp Palacio De Deportes, Madrid, Spain 28 Jan 1986



Pocos se darán cuenta de que el nuevo Supertramp ha perdido a uno de sus fundadores. La banda se las arregló siempre para difuminar la identidad de sus miembros bajo la marca del grupo y no permitir que se la identificara con una de sus estrellas. Ellos eran casi los únicos que podían mezclarse con el público pocos minutos antes de subir al escenario sin que sus propios seguidores les reconocieran. Lo importante era el sonido Supertramp, distinguible del de cualquier otro grupo.

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Supertramp
Venue: Palacio De Deportes, Madrid, Spain
Date: 28 Jan 1986

Disc 1  56min
1 intro
2 Better Days
3 Still In Love
4 Put On Your Old Brown Shoes
5 Bloody Well Right
6 From Now On
7 Cannonball
8 Rudy
9 Asylum

Disc 2  55min
1 Ain't Nobody But Me
2 No Inbetween
3 Brother Where You Bound
4 Just Another Nervous Wreck
5 Goodbye Stranger
6 I'm Your Hoochie Coochie Man
7 I Just Want To Make Love To You
8 Crime Of The Century 

Rick Davies - Piano, Keyboards & Vocals 
Bob Siebenberg - Drums 
John A. Helliwell - Sax, Keyboards & Vocals 
Dougie Thomson - Bass 
Mark Hart - Organ, Synthesizers & Vocals 
Scott Page - Sax 
Marty Walsh - Guitars 
Carl Verheyen - Guitars 

martes, 25 de septiembre de 2018

Kiss-Live in Toronto, 15.03.1984




Kiss
Lick It Up World Tour
Maple Leaf Gardens
Toronto, Ontario, Canada
15.03.1984
SBD 10

COMPARTIR/SHARE

01 Creatures Of The Night 
02 Detroit Rock City 
03 Cold Gin 
04 Fits Like A Glove / Firehouse 
05 Gimme More 
06 War Machine 
07 I Love It Loud 
08 I Still Love You
09 Young And Wasted 
10 Love Gun 
11 All Hell's Breakin' Loose 
12 Black Diamond 
13 Lick It Up 
14 Rock And Roll All Nite 

An awesome soundboard recording from the 2nd last show of the "Lick It Up World Tour." It was the first tour by KISS without makeup. They used the same "tank" stage design as the Creatures of the Night tour, keeping all the same gimmicks, with the exception of Gene Simmons' blood spitting.
"All Hell's Breaking Loose" made its live debut in New Orleans on January 8th, 1984. Just one day later, Kiss performed to their smallest crowd drawn in a major venue when just 1,507 filed into the Mississippi Coast Coliseum in Biloxi. The poor sales were blamed on the close proximity of the New Orleans and Biloxi shows, just one day apart. "Exciter" was performed briefly, making its first appearance on October 11, and its final known live appearance on March 7th.
Lead Guitarist Vinnie Vincent was fired after the European Tour due to "unethical behavior". Kiss didn't have enough time to search for another guitarist so they re-hired Vincent for the American Leg of the tour until his firing became permanent after the tour ended. Bass guitarist Gene Simmons stated in various interviews that Vincent's dismissal was due to the fact that he never signed his contract as an official member of Kiss and for unethical behavior. -Original

lunes, 24 de septiembre de 2018

Supertramp - 70-10 Tour - Live in Madrid - 15.09.2010



De forma similar a anteriores giras, 70-10 Tour volvió a contar con la ausencia de Roger Hodgson, miembro fundador de Supertramp que abandonó el grupo en 1983. Hodgson criticó en varias entrevistas la gira de Supertramp debido al uso de sus canciones en la voz de Dixon y Siebenberg, lo cual, según el músico, rompía un acuerdo verbal que había alcanzado con Davies tras su salida del grupo, y según el cual el segundo podría seguir utilizando el nombre del grupo a cambio de no interpretar las canciones del primero.
En un comunicado, Davies desveló que se había reunido con Hodgson para discutir la posibilidad de una reunión, pero que, quince meses después, no alcanzaron ningún acuerdo.​ Davies también comentó al respecto: «Sé que hay algunos seguidores que quieren que eso suceda. Hubo un tiempo en que había esperado por eso también. Pero el pasado reciente lo hace imposible. Para poder tocar un buen concierto necesitas armonía, tanto musical como personal. Desafortunadamente eso no existe entre nosotros y prefiero no destruir los recuerdos de tiempos más armoniosos entre todos nosotros».​
Usando la misma banda de las giras It's About Time Tour y One More for the Road Tour, con la excepción de la ausencia de Mark Hart por compromisos con su grupo Crowded House y su sustitución por Gabe Dixon, la gira 70-10 Tour comenzó el 2 de septiembre de 2010 con un concierto en Halle, Alemania, seguido de treinta y cinco conciertos en países de Europa Occidental como Francia, Austria, Suiza, España, Italia, Portugal, Bélgica, Países Bajos, Reino Unido e Irlanda.​
Un año después, la gira fue ampliada con una nueva etapa con doce conciertos en Canadá, que comenzó el 31 de mayo de 2011 en Victoria y finalizó el 17 de junio en Montreal, con paradas en Vancouver, Calgary, Toronto, Montreal y Quebec. En julio, Supertramp añadió una nueva etapa europea con varios conciertos en Francia, incluyendo su concierto número 1 000, que tuvo lugar en París, y en el cual, además del repertorio habitual de la gira, interpretaron una versión de «Don't You Lie to Me».​

COMPARTIR/SHARE

Personal
Rick Davies: voz, piano y Wurlitzer
Bob Siebenberg: batería
John Helliwell: saxofón y clarinete
Carl Verheyen: guitarra
Cliff Hugo: bajo
Jesse Siebenberg: voz, guitarra y percusión
Lee Thornburg: trompeta y trombón
Gabe Dixon: voz y teclados
Cassie Miller: coros

Lista de canciones
«You Started Laughing»
«Gone Hollywood»
«Put On Your Old Brown Shoes»
«Ain't Nobody But Me»
«Breakfast in America»
«Cannonball»
«Poor Boy»
«From Now On»
«Give a Little Bit»
«Downstream»
«Asylum» (en varios conciertos)6​
«Rudy»
«It's Raining Again»
«Another Man's Woman»
«Take the Long Way Home»
«Bloody Well Right»
«The Logical Song»
«Goodbye Stranger»
Encore
«School»
«Dreamer»
«Crime of the Century»

domingo, 23 de septiembre de 2018

Syd Barrett 'Psychedelic Freak Out'




Syd Barrett
'Psychedelic Freak Out'
Demos, Acetates & Mixes

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Soundboard Recordings
Encoded: 320 Kbps MP3

Track List: 
01. Interstellar Overdrive (October 31, 1965 - Demo) 1456
02. See Emily Play (May 21, 1967 - Acetate With Alternate Ending) 252
03. Scream Thy Last Scream (August 7, 1967 Malcom Jones Mix 1987) 440
04. Vegetable Man (October 1967 - Malcom Jones Mix 1987) 237
05. Vegetable Man (1967 Mix From Mason Interview, March 1969) 247
06. Silas Lang (May 6, 1968 - Backing Track) 247
07. Lanky (May 14, 1968 Part Two) 136
08. Golden Hair (May 28, 1969 Instrumental - Gareth Cousins Mix 1988) 156
09. Swan Lee (June 20, 1968 - Backing Track) 243
10. Clowns & Jugglers (July 20, 1968 Take 1 - Alternate Mix With Studio Chat) 245
11. Love You (April 11, 1969) 117
12. Clowns & Jugglers (May 3, 1969 Take 2 - Keyboard Mix) 134
13. Long Gone (July 26, 1969) 145
14. Dark Globe (July 27, 1969 Choral Version - Peter Jenner 1987 Echo Mix) 258
15. Dark Globe (July 27, 1969 Choral Version - Malcolm Jones 1987 Clean Mix) 257
16. Maisie (February 26, 1970 - Alternate Mix With Extra Vocals) 251
17. Slow Boogie (August 12, 1974) 258
18. John Lee Hooker Inspired (August 12, 1974) 352
19. In The Beachwoods (1967 - Backing Track) 449
BONUS TRACK
Bonus Track:
20 Interstellar Overdrive 14:55 Pink Floyd Live Supporting Jeff Back Group, Shrine Exposition Hall,
Los Angeles, CA, July 27, 1968 
20. Interstellar Overdrive (Pink Floyd Live Supporting Jeff Back Group, Shrine Exposition Hall, Los Angeles, CA, July 27, 1968) 1455

Details: 
Syd Barrett
Review Psychedelic Freak Out
1965 - 1974 Demos, Acetates & Mixes

I don’t think I’m easy to talk about.
I’ve got a very irregular head.
And I’m not anything that you think I am anyway.”
So said Syd Barret.

Founding father of the Pink Floyd & enfant terrible of avant garde rock.

This release from Godfather draws a hard, dark line under the above quote, showcasing a mish mash of some of the
best of Syd’s various demos & studio out takes.

The main bulk of this release spans Syd’s solo releases with a dash of Pink Floyd on the side to exemplify his work within that group.

Presumably lifted from the epic 17 Internet tree’d CD set “Have You Got It Yet” this makes a far more interesting listening experience than the bigger set.

For anyone who wants to pick through the murky depths of his back catalogue with out trawling through various
different takes, outfakes, Oopsed tracks or interviews then it’s a great way to start.

The Godfather has created this CD chronologically too so we can hear how Syd’s sound evolved or devolved through out his short recording career.

1. Interstellar Overdrive ( Demo - October 31st 1965 ).
I suppose, true to the date, this piece was recorded on Halloween at the Thompson Private Recording Studios for the
short film “San Francisco” by filmmaker Anthony Stern And is certainly nightmarish compared to it’s commercial sister recording.
Recorded much faster than the CV & without the plodding, meandering “Steptoe & Son” styled riff.
A few elements remain throughout such as the meandering guitar riff that permeates the track.
It should be noted that this track also lasts a few seconds shorter than the track that was released on the “Have You Got It Yet” internet treed CD.

2. See Emily Play ( May 21, 1967 - Acetate With Alternate Ending ).
Not a great deal different from the CV to my ears. The alternate ending would seem to suggest that the sitars are abbreviated slightly on the acetate.

3. Scream Thy Last Scream ( August 7, 1967 - Malcolm Jones mix 1987 ).
The unreleased follow up to ‘See Emily Play’ & one of two tracks ( Inc. Vegetable Man ) that were pulled from the 1988 rarities album “Opel”.
Another rather disturbing track from the dark rooms of Barrett’s mind with Nick Mason’s vocal being aped by a high pitched gnomic voice ( Actually Barrett.)
Without the double track vocal then the track might have stood a very good chance of actually getting a release but i can only guess that the reason it was left off
is because of the allusions to the voices that could have been a little too close to Syd’s madness for some tastes. Filled with mind skewering time changes,
violent themes & rapidly surreal lyrics it’s on of the highlights from the unreleased cannon.

4. Vegetable Man ( October 1967 - Malcolm Jones mix 1987 ).
This unreleased track is somewhat less fun to listen to. Written autobiographically from Barretts point of view it makes a point of being almost Spectoresque in filling
each nook & cranny with oddball noises, sounds & various chattering, it’s a song that just doesn’t really want go anywhere or even if it did wouldn’t know what to do with itself
when it got there. a pantomime in obscurity.

5. Vegetable Man ( 1967 Mix from Mason Interview ).
Recorded from a reel to reel tape that Nick Mason brought with him to an interview with a nameless collage student in March 1969.
The subsequent interview tape has gone missing in the interim but dubs had been made of the musical parts of the interview.
Sounding very much like an off air radio recording ( this isn’t a quiet under the table recording ) the track sounds markedly different to it’s 1987 compatriot.
This on has a little more move about it with a rampant, crazy guitar line wringing through it & with a powerful drum track administered throughout.
We can also ( almost ) hear Mason’s views on the track as he runs through his interview

6. Silas Lang ( May 6, 1968 - Backing track ).
Noted as being “Silas Lang, this is RM 1 from four track, take 1 by the recording engineer. This track starts out rather optimistic for a Barrett written track with a
rather twee strummed guitar line but then turns in to an altogether darker guitar track utilizing, according to Roger Waters “a great plan…to expand the group, get in two geezers,
some two freaks that he’d met someplace or other. One of them played banjo and the other played saxophone. We weren’t in to that at all and it was obvious the crunch had finally come”.
Another of Syd’s ideas gone awry then but it also shows that Syd wasn’t always the doom & gloom merchant that some of his later Floyd recordings suggest but rather when he put his mind to
it was capable of producing elegant & world wise tracks such as this one. It reminds me of some of the Bonzo Dog Doo Dah Band’s tracks - particularly Topo D’ Bill’s “Witchi Tai To” or
rather his cover of the Harpers Bizarre cover. It’s just a shame that the track was never actually finished but, seems to be reported as being a work out to the beginning of the track
“Swan Lee” ( see track 9 )

7. Lanky - Part 2 ( May 14, 1968 ).
Another tribal influenced track rather like “Silas Lang” ( above ). Sounding like an authentic, simple, track with an african hollow drum sound.
It’s obviously a simple riff that Barrett was toying with but one that was never finished up. This track is also speculated to be known as Rhamadan as they were recorded in the same date.
It’s pure speculation mind & without the Motorbike sounds Barrett wanted to add to it there’s really no way of knowing.

8. Golden Hair ( May 28, 1969 Instrumental - Gareth Cousins mix 1988 ).
Starting ominously like one of Brian Wilson’s “SMiLE” tracks ( although it would be difficult to pinpoint who might be influencing who at this time .. )
one of Barrett’s most down beat & maudlin tracks but presented here as an instrumental.
Not as effective without Syd’s lyrics but to which that might be missing the point. The instrumentation might work as just the trick for some & so will be appreciated.
This was proposed for the “Crazy Diamond” release but left off for an earlier recorded version.

9. Swan Lee ( June 20, 1968 - Backing Track ).
Taking the same route as “Silas Lang” a groove revolving around a mumbling, noodled bass part.

10. Clowns & Jugglers ( July 20, 1968, Take 1 - Alternate with with Studio chat )
“Octopus” in different sleeves. Not a great deal of difference from the Opal release but the “studio chat” referred to at the beginning is the studio announcement
“This is ‘Clowns & Jugglers’ RS 1 from Take 1 on reel 69631".

11. Love You ( April 11, 1969 ).
The Syd from the old days. Free from the menace & doom of his later recordings & back to the seaside parade & whimsy of his earlier recordings. The track has a very Beatley type of jangle.
This version is free of the out of tune bar room piano & is wildly underproduced compared to the CV.

12. Clowns & Jugglers ( May 3, 1969. Take 2 - Keyboard Mix ).
Often there are very good reasons why one piece of an artists oeuvre remains unreleased or unrealised. This mix of the “Madcap Laughs” sessions track is truly the work of an over exaggerated mind.
Powerfully over egged & messy the reason that this was released as a pared down & almost acoustic song in the end must be that it was thought to be too far our for public consumption.
Thing of Captain Beefheart at his most fevered & wacked out & this mix comes perilously close.

13. Long Gone ( July 26, 1969. )
Sounding like an early, stripped back demo version rather than the augmented organ version found on the
‘Madcap .. ‘. A track thats very close to the Sound of Skip Spence on his “Oar” album.

14. Dark Globe ( July 27, 1969 - Choral Version. Peter Jenner 1974 Echo mix )

15. Dark Globe ( July 27, 1969 - Choral Version. Malcolm Jones 1987 Clean mix. )
Tracks 14 & 15 are two sides of the same coin. The ‘Choral’ tag refers to Syd’s delayed double tracked voice.
The main two differences being that the 1987 version is somewhat tighter & wider than the 1974 version & less scummy to listen to.
The second difference is that in the ‘74 Mix Barretts singing voice is heard quite clearly over the choir where as on the ‘87 mix the two voices are brought closer together in the mix the difference is not so obvious.
The session log seems to omit the fact that there was a session on the 27th of July so we either have to assume that there was no session & the tapes are wrongly labled ( and the 26th of July was the actual last session )
or the 27th was when the mixes of this track were submitted.

16. Maisie ( February 26, 1970 - Alternate mix w/ extra vocals. )
Starts with a clip of studio chat ( sounds like “Put The Kettle on”? ) this version differs to the track on “Barrett” by adding additional spoken word vocals panned from center to left & right.
Maybe Syd had influenced what Yoko Ono was about to be doing with her solo album as this track sounds ominously like one of the ‘Plastic Ono Band’ Sessions tracks but with a little of the Barrett magic on top.

17. Slow Boogie ( August 12, 1974. )

18. “John Lee Hooker Inspired” ( August 12, 1974 )
Tracks 17 - 18 are from the much fabled 1974 sessions when Peter Jenner managed to get Syd back in to the studio for a rough 4 days of ‘work’.
Both of these tracks feature much less than the work we’d come to expect from Syd who’s mental state must have failed him so much by this time that to focus at all would have been a struggle.
of the 8 pieces bootlegged from these sessions these two must have been chosen as ‘best’ although the rest of the material is fragmentary & untogether.
Both titles allude as much to the sound contained therein - two blues inspired tracks that sound like Nick Drake’s legendary home tapes where he can be heard strumming away old blues classics although at least Nick had songs,.
the riffs that Syd plows through must have, at the very least, been made up on the spot or half remembered from his own record collection. One can only assume that this was what Syd was listening to at home at the time for
them to be at the forefront of his mind or they were just the easiest thing to play ..

19. In The Beechwoods ( 1967. Backing Track. )
Another track from the Mason interview tape that never was. “In The Beachwoods” has a very soulish if Floydian groove. Think Tamala Motown as realised by Syd Barrett. it sounds like a great track if
only it had have been finished up & could have been another great commercial success for the group had Syd not taken the direction he did. The track, as mentioned, is taken from the interview tape
so besides being played loud had a nasty, shrill clip to the top end & a clicky, strange flutter to the tape but this does nothing to desecrate the fact that it’s unreleased Floyd.

Bonus Track

20. Interstellar Overdrive
( Pink Floyd live supporting the Jeff Beck Group, Shrine Exposition Hall, Los Angeles, CA, July 27, 1968. )
To top it all off a slightly distant audience recording of the Floyd in America supporting the Jeff Beck Band. Lunacy abound in this section with the middle section taking the form of a happening of sorts.
By all accounts this was the form of the track at the time & fans of this era Floyd or students of underground forms will find something to listen to here.


The Packaging itself it particularly handsome ( as with most of The Godfathers work. ) the front cover featuring an over exposed shot of Barrett in his live Floyd heyday fulfilling the “Psychedelic Freak Out” tag.
A colourised picture by Mick Rock on the back featuring Syd looking through a telescopic lens.
Inside the trifold is a montage of pictures featuring Syd, an excellent short essay retelling Syd’s career & achievements by Alex the Gnome & Enigma Publius & most excitingly a painting of Syd bordered on purple featuring the legend
“Psychedelic Freak Out - Demo’s, Acetates & Mixes.” it’s a shame the Don didn’t include this as a mini poster as it’s very handsome indeed.

An excellent attribution to your Barrett collection or another must have disk to file under “B”. It certainly won’t get left on the shelves. 

viernes, 21 de septiembre de 2018

The Rolling Stones-Live in Philadelphia, and Soundcheck, 28.08.1989



The Rolling Stones
JFK Stadium, Philadelphia, USA
28.08.1989
Live show, Soundcheck And Rehearsals.
SBD-10

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CD1
01 Start Me Up 
02 Bitch 
03 Shattered 
04 Sad Sad Sad 
05 Undercover of the Night 
06 Harlem Shuffle 
07 Miss You 
08 Tumbling Dice 
09 Ruby Tuesday 
10 Play With Fire 
11 Dead Flowers 

CD2
01 One Hit (to the Body) 
02 Mixed Emotions 
03 Honky Tonk Woman 
04 Rock and a Hard Place 
05 Midnight Rambler 
06 Can't Always Get What You Want 
07 Little Red Rooster 


CD3
01 Before They Make Me Run 
02 Happy 
03 Paint it Black 
04 2000 Light Years From Home 
05 Sympathy for the Devil 
06 Gimme Shelter 
07 It's Only Rock and Roll 
08 Brown Sugar 
09 Satisfaction 
10 Jumpin' Jack Flash 


Interesting comments found on the Web:
These rehearsals are among the best of the best quality Stones boots.
The set list is fantastic, and the Stones are performing two complete performances of the August 31 opening night show, from start to finish.
They include two complete performances of "Shattered" which was only performed on opening night and then dropped for the rest of the 1989-1990 Tour